Nathan Nahkmanovich, also known as “Mogul” on Instagram, has been able to sing with his Marketing and Advertising Plug Talk Media. Growing up as a first-generation American, Nathan grew up in a circle of relatives who valued hard paintings and dedication. Success in his circle of relatives was measured through the ethics of paintings, so it’s no surprise that he’s been very fond of paintings since his early age and created a netpaintings for emerging brands called Spotted Records at just 19.
Some of Nathan’s initial relationships at the broadcast station with people in his deceptive liter best friend helped him get him on the path to success. Netrunning is very critical of Nathan to this day, as he says, “The more Americans I know, I realize it’s never just who you know. Plus, it’s about how well you know them and how you relate.” Young Mogul was able to gain valuable business wisdom and advice through the transmission relationship he led, and this has been greatly changed for him and his company.
After maintaining the relationship with key artists and industrial players, he expanded his labeling activity to a large-scale marketing and advertising agency, Plug Talk Media.
The firm focuses primarily on consulting clients on music launch strategies, selling flavor and buying media for advertising. Mogul has been concerned about a handful of impressive musical projects in recent years.
More recently, his paintings on the 6ix9ine Gooba mission have attracted media attention. The challenge of turning OOH into a virtual presence with a primary loss of pedestrian traffic. With cross-references in publications such as Complex, Billboard and many others, the efforts of the young “Mogul” have been successful.
As an entrepreneur in this challenging artistic challenge, the theme of the festival is raised. He soon learned that he had to create his own path and differentiate his offerings from what his competition was doing. Once you’ve completed this, no festival can also save you from achieving your goals and adapting to a famous bow mask. The moment he began to follow a trend in industrial withdrawal was when he learned that he had to move his strategy. And in doing so, he allowed him to highlight the most logical of his art while highlighting the one thing. The comparative difference between being a pioneer and trend tracker.
Nakhguyovich’s vision of failure is one of the people who has been running in the industry for decades. “While it is wise to look back on my adventure and what it was, I was transformed into what I am today through what I experienced at the time. Errors, trials and tribulations, etc. They all turned out to be a blessing in disguise that led me to where I am today.’
In the end, running in music marketing and fashion advertising spaces has become Nakhmanovich’s hobvia in business. He says, “I feel blessed to have worked with so many amazing and talented Americans before…” and he knows he’s just getting started.
I recently had a quick chat with Plug Talk Media Founder Nathan about the fashion and music advertising, how he conceptualized creative ideas for the agency and how he managed to secure the biggest billboard in Times Square for an artist with somewhat of a notorious reputation!
Joseph DeAcetis: What does your instagram “magnat” mean to you?
Nathan Nakhmanovich: It’s definitely a call to grow up. He represents who I want to be. I have internal competition, where I constantly strive to do more and be bigger. The call serves as a reminder to continue making.
JD: How did you return to a direct decision to enter the explicit music advertising box?
NN: Initially, I served much of the music with virtual marketing and influence. OOH advertising came into play when the big apple of my normal virtual consumers sought experimental opportunities and OOH. The go-getter in me had to get there
JD: How do you place your artistic concepts for the agency, what kind of trends do we expect with all the hot changes that are happening in today’s climate?
NN: I think my creativity comes from a loss of textbook experience. It sounds unre classical in any way, however, I’ve never studied marketing or advertising at school. I think if I had institutional learning in this area, it would be more restrictive and linear in my paintings. In terms of trends, Plug Talk Media paintings will demonstrate how OOH can transcend beyond digital. Our goal is to convert presence.
JD: How did you get the biggest billboard in Times Square for an artist with a noted reputation?
NN: The paintings I made for 6ix9ine are an overly fun project. This accompanied through time and rays. Congratulations to the guys from Create Music Group and 10K projects for trusting me to do so. And, of course, thank you very much to New Tradition for allowing it.
JD: Who are we able to expect you to paint in the future?
NN: More recently, I’ve been working to get a billboard contribution at DTLA for Black Lives Matter. The placement took place on “The Reef”, which is the world’s largest virtual billboard. Special thanks to Cintex/C78, Crowd Control Digital and New Tradition Media for providing the opportunity to exaggerate a wonderful message.
JD: Now we know you’ve been successful in the musical side of all this, do you think you’re also in the fashion box?
NN: In fact, I’m expanding my OOH paintings beyond music. Although my main clientele is st music, I check and deepen in other areas.
JD: What do you think sets you apart with the exception of all other agencies, how did you diversify and call for yourself?
NN: Strictly in terms of competitive advantage, Plug Talk Media is a boutique. We don’t have giant ads overclassified to float, so our consumers get the ultimate productive influence for their money. At the same time, our strategy is based on short-term purchases. While other agencies will provide Times Square or another virtual OOH for weeks at a time, Plug Talk Media can take up to 2 hours in rotation. That’s why our consumers love us; We make those opportunities the financial best friend for those who didn’t think they might have had it before.
Renowned American journalist and foreign editor. My interest lies in the speed and direction of adopting the effects on fashion and convenience lifestyle, until the moment genuine
Renowned American journalist and foreign editor. My interest lies in the speed and direction of adopting effects on fashion and convenience, real-time fashion through key influencers and how disruptions and social intelligence have made the transition from the anger landscape through the democratization of market position.