About Time: Fashion And Duration, the Costume Institute exhibition, which has been delayed for five months due to the fitness crisis, is now scheduled to close on February 7.
The museum requires scheduled tickets due to government regulations related to social capacity and distance that can be received on metmuseum. org or on site.
About Time was created to honor the Met’s 150th anniversary and, as such, the exhibition explores the history of fashion for 150 years. With Virginia Woolf as what the museum describes as a “ghost narrator,” the exhibition, the exhibits were decided from the time corresponding to the founding of the Met, from 1870 until the day of provision.
A basic conservation precept is Henri Bergson’s concept of duration and, according to the Museum’s website, the exhibition “explores how clothing generates temporary associations that mix past, provide and future”.
The exhibition consists only of black clothing to highlight the replacement of fashion through the silhouette that style. The only non-black garment is the one shown above, a white dress from Viktor’s spring/summer 2020 haute couture collection.
Several online display functions have been created, existing online viewing tickets are exhausted. Virtual organization tours with a museum consultant will be held until February 28 for a $300 payment according to the organization ($200 for college student teams) that they will have to pay a week in advance. Alternatively, a limited number of same-day tickets can be booked on the user until February 7.
To get more tactics to virtually revel in the exhibition, Andrew Bolton conducts a video tour of the exhibition here and also talks about designing the exhibition on a Sunday at the Met with Es Devlin, the exhibition’s designer.
I’m a fashionista who writes for heritage magazines like Harper’s Bazaar and Vogue, my specialty is fashion profiling journalism,
I’m a fashion editor and fashion editor who writes for heritage magazines like Harper’s Bazaar and Vogue. My specialty is fashion journalism profiles, emerging designers and emerging markets, the demanding situations facing the industry, fashion has been in the middle of my career. canopy culture and design for Forbes. com and other publications and lately I am editor-in-chief of Harper’s Bazaar (India) and VOGUE (Russia). I grew up in the world but was born locally, lived and prospered in New York for the most part of my life and consider London a moment at home. I’ve been living in Los Angeles lately, my favorite task is the mummy of my golden mini-doodle, Aiko. Follow me on Instagram @rebeccasuhrawardi.