When Vogue presented a portrait of Michael Kors, 22, in 1981, she told the magazine, “I need to make clothes that may not come out. “Forty years later, while celebrating his brand’s birthday, the occasion took place.
For his virtual display, an occasion filled with stars with Broadway stars such as Ashley Graham, Bella Hadid, Helena Christensen, as well as a wonderful look through Naomi Campbell, the New York designer announced a return to the sublime urban dress, The Theatre. District as a backdrop.
The flow of the exhibition began with an introduction filmed in Sardi, with Zoom boxes illuminating the restaurant’s famous portraits. Broadway legends such as Alan Cumming, Billy Porter, Chita Rivera, Marisa Tomei and a silent Bette Midler warmed up the crowd with jokes about Hamilton. and Laura Benanti’s outstanding vocal training, as well as data on Broadway’s economic influence and its importance to New York.
Marisa Tomei recalled her first michael Kors play, a red leather jacket, and Cynthia Nixon told us that the 2018/2019 season, Broadway helped more than 100,000 local jobs (Kors suggested the audience help The Actors Fund, and Kors and his company donated to the organization of a safety net for performing arts workers. )
And then came here the track, filmed in the empty streets of the theater district city. Against a full backdrop of capital, Kors has exploited the kind of style you can have on standby after running as long as he does.
Bella Hadid wore a fire-red patent leather coat and a matched mini dress and Karen Elson wore a box-tight coat. Helena Christensen, Irina Shayk and Carolyn Murphy wore metallic dresses to the ground: women’s clothing, all in capital letters. .
Some of them were reissued versions of old perspectives for the first time on the catwalk in the 1990s. Mika Schneider wore a zebra-printed miniskirt suit through which Helena Christensen wore when she modeled Kors’ 1994 collection.
So yes, the pieces were enduring in this way, all the garments covered and well adjusted are. Kors uses a well-oiled machine. He took few risks, but was never reckless in his creations.
As Kors recently told Vogue, “There’s a component of me that’s very pragmatic, and then a component of me that’s silly and forgiving. “
For pragmatism: there were suits of strength, armor-like padded coats and cashmere sweaters; almost anyone can use those pieces. And then there were the elegant touches: mini dresses with openings until then, sequined monkeys, Naomi Campbell strutting slowly and in a gleaming black dress.
It’s an ode to that mythical New York woguy you hear on Odyssey’s songs, suitable for a guy who’s already skipped his prom at Long Island High School to party at Studio 54.
This woman in the fantasy of the city, which does not resemble the clear truth we have been living in for thirteen months, inspires countless moves to New York. Broadway is important for the recovery and economy of the city, of course, but so are those made by Kors. clothes that reflect one’s hopes and dreams.
There has been a lot of communication in recent years about how we will dress after the pandemic; Kors is obviously the Keep Calm and Carry On team. He’ll make a deal with you: no more tracksuit pants in the office. But you can feel at ease with its amplified basics, which exude this kind of simplicity and without complications so it is so well known.