Under The Stars: New Music through The Umbrellas, Fly Golden Eagle, Pamela Z and more

Local Jangle-pop, Canadian electronica, avant-garde vocalisms, two poignant steps. . . it all sounds right now.

Under the Stars is a near-weekly column featuring new music releases and a number of other adjacent articles.

By creating a retro-elastic visual for their “Near You” singles moment, adding the old MTV font to the title, band and label, The Umbrellas continues a San Francisco culture of jangle-pop rock at the forefront.

The city, a main outpost of the interna-twee International Pop Underground, can now raise this quartet to a resurgence that bands like The Mantles, Flowertown and The Reds, Pinks

Their first LP s/t, The Umbrellas, is expected on Friday the 6th from Slumberland Records and you can watch them on rickshaw on that date.

Many years ago, I stopped at the now-defunct Argus, on the outdoor mission, to meet a friend and be distracted by the sweling sounds of Tammy L Hall. To say something express or a song, the explanation of why the astonishment would be incorrect. Let me put it this way. Anyone who has grown up in a house also surrounded by jazz, gospel and classical music will understand.

The familiarity and ability to borrow, break and in a different way take care of each of those traditions, and then mix them all into coherent functionality, in a bar no less, left me trapped, in a clever way. For “clinical” explanations of this Bay Area treasure, head over to their website. But I can save you time. His experience is extensive, he has traveled a lot in Japan, Europe and Mexico, and the functionality is frankly superior. But I’ll tell you. The Tammy L Hall Quintet plays at Freight and Salvage on August 14, you have to see this artist, this amazing black woman, in person.

All good. Nashville-based Fly Golden Eagle is this blue-eyed progressive soul / rock band that fits just about anything. As I told the publicist, your “Stepping Out” video may be a bit “esoteric” for some. He did it through Yoshi, collaborator of Tame Impala, however there is no denying the vibes of the Unknown Mortal Orchestra with touches of Vinyl Williams and Once and Future Band in the yettermilk. “Oh Sheila” is some other worm moving in the mind-blowing direction. The double bachelor recorded at Niles City Sound in Fort Worth, Texas, the studio of Leon Bridges. I wish I could tell them they were coming to The Bay, because he would buy a price ticket in a second.

In 2017, I did a Q

RIP Biz Markie (1964-2021)

San Francisco composer, artist and media performer Pamela Z, legally named Pamela Z (first called Pamela, last called Z), uses her intense voice, a top-notch instrument, to look like a droney wall of uproar on her recent release A Secret “Quarte Couches/Flare Stains” provides a complete diversity of how the voice chooses to communicate. Going from a sensitive flicker to thunderous thunder, Pamela Z never fails to have specific effects on how the sound moves. Amplified, digitized or just hummed, the odds remain endless.

As stated in her Bandcamp’s liner notes for this recent project: “The delight is never far from Pamela Z’s musical world. Whether it’s a typewriter, a bird’s scream, a check-in at the airport or a mess on the street, your and the peculiar eye of mind makes it a moment of deep amazement and wonder. Buy a password here.

Tush, is a comprehensive electronic music organization from Toronto that can play on top of those spatial rhythms or go down and rely on heavy bass lines for off-schedule vibrations. They can do a little bit of everything. It’s scary, is it rarely very?

Driven through Kamilah Apong and Jamie Kidd, who have introduced an artistic partnership that covers infrequent disco-beat concerts at Toronto nightclubs, Tush may depend on the performance. On a live stage, Tush plays like a seven-musician band shaking the earth, whose high-on-live energy has invaded the stages of festivals like Pride Toronto, Toronto International Film Festival and Toronto Jazz Festival. When the pandemic derailed the year’s live shows, Tush switched to a more electronic sound.

“Wavy Baby” from the upcoming debut album Fantast takes us back to that neo-soul velvet era, where bells and bpm stockings were all the rage. Don’t fall asleep with the other people in Tush, they come and follow you.

Singer Alanna Royale, who has been directing her new album, with Bay Area singer Kelly Finnigan as production president, abandoned the attractive Fall In Love Again. It’s a golden vibe.

Keeping an unprepent guard, as usual, Yves Tumor resurfaced last week with a six-track EP titled The Asymptotical World, released on Warp. It features bachelor “Jackie” recently sorti. et includes songs titled “Crushed Velvet,” “Tuck,” and “The Secret Is Incredibly Important to Both of You. “

The new EP can be purchased on vinyl as a 12″ or 3 × 7″ box set. The disks are expected to be shipped around October 15. They are expected to play at Outside Lands on Sunday, October 31 with Brittany Howard and Neal. Francis.

The EP marks Yves Tumor’s first since the 2020 album Heaven to a Tortured Mind. Find out where this album landed on our 2020 albums.

London post-punk band Dry Cleaning will perform at The Chapel on November 11 on their debut album, New Long Leg, composed of guitarist Tom Dowse, drummer Nick Buxton, bassist Lewis Maynard and singer Florence Shaw, the band fused the two global rhythmic attack. and sharp observations, garnering praise from global critics. We also named New Long Leg one of the most productive albums of 2020. Enjoy their Tiny Desk Home concert last month.

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