The Bandcamp streaming site brings Bandcamp back on Friday of this week. On August 6, they will cede their percentage of the source of revenue “to artists and labels affected by the pandemic,” resulting in “on average 93% of their cash achieving [ing] the artist/label (after payment of the processing fee). “This means we’d like to take a moment to highlight some notable developments from recent antiquity that we might not have highlighted in one way or another, in an effort to convince you to make up your hard-earned money.
Peak of Eternal Light via Monta at Odds
“On our moon there is a mountain. Its summit is touched by the sun and bathed by the sun. This is the Peak of Eternal Light, the inspiration for Monta’s newest album, At Odds. The Kansas City combo plummets enthusiastically on this enhanced concept, delivering an album that pushes the barriers of its experimental post-punk sonic aura.
The opening cut, “Other Side of Yesterday” features Taryn Blake Miller, deceased of Your Friend, and “When I’m Gone” to Teri Quinn, and they are post-punk dance improvisations. While the former will make you vibrate, this moment has an abundant bounce, like many others, in a psic-rock nightly album adapted to the sweaty summer nights and bloodless winter. A non-public favorite is the kosmiche pulse of “When the stars age”, however, they are all winners.
In addition to taking over the digital technology, there will now be a compact disc edition and an advance order for the vinyl release for January.
Peak of Eternal Light via Monta at Odds
DEMO via VALTA
This Kansas City trio, which includes former members of Agent and Sucked Dry, goes through five livid and impactful d-beat songs in less than 10 minutes. you feel more than you listen. When the guitar goes through chaos in “Collaborator,” it’s like an attack with a razor blade, and the brief breakdown of “Final Outbreak/Incarceration” hits like a pipe in the appearance of the head.
They promise a tape will come, so stay tuned. Meanwhile, this is a “name your price” download, so show a little love for punks.
DEMO via VALTA
Ease of fleeing Vatican City
I know very little about Vatican City Runaways, other than the fact that J. Godek has been making music under this nickname for 2011. Over the past decade, he’s been extremely prolific, making albums ranging from psychedelic rock to electro downtempo, as well as some experimental edits that I refuse to spoil jokes about. In Relative Ease, it looks like the Books make a tribute album to Martin Denny after Lemon of Pink, with closer “Breakers” sounding like a dying record player betting on a lost demo edition of “Quiet Town. “
Ease of fleeing Vatican City
Demo 21′ via BIGSPIN
Three tracks of the KC/LFK’s old-fashioned five-track hardcore run too fast. Despite the approximate quality of the recording, it still allows Bigspin’s massive breakdowns to create a mosh-worthy experience, even for those who are more accustomed to recording. The polite nature of their contemporaries such as Philly’s Turnstile, especially on the band’s first track of the same name. The introduction to the police of “Spectral Exterminator” from “Rat Pack” from Sick of It All is very effective, while “Glass Hammer” brings the riffs to The Bottom.
Demo 21′ via BIGSPIN
don’t lose hope through Miki P
The new solo album of the singer of Miki P
This is the best room pop record that sounds much bigger than if it were recorded by a user at home. Thanks to the multiple tracking of Miki P’s voice, she will harmonize wonderfully, without skimping on the magnificent guitar paintings that is the mark of everything she does. In addition, there’s a catchy piano line and funky bass paintings on the opening track, “While I’m Angry,” which is subsidized through the sounds of a storm. It looks like it’s too much, but it’s precisely the best and sets the tone for the next five tracks. I haven’t been so surprised by the emotional weight of a pop record for years, and the final name of the song surely disappointed me.
don’t lose hope through Miki P
Kemet Coleman’s eyes on the street
As if his paintings on the netpaintings and as a component of the Phantastics weren’t enough, Kemet Coleman released Eyes on the Street as an EP, NFT and limited edition beer designed in collaboration with Crane Brewing last May. to follow Coleman’s journey as a product of Kansas City public schools, breaking the pressures of race and seeking to get my share of the American dream Array Eyes on the Street is a review of our civic duty and the future of our urban communities.
Then, two weeks later, Coleman announced that he, Woodie Bonds and Elliott Ivory would launch Vine Street Brewing, Kansas City’s first black-owned brewery. The curler skate gets stuck like “Equity” while making beers.
Kemet Coleman’s eyes on the street
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“Largely through the pulsating bass lines, drum beats and heavy synths of the music the trio has experienced in clubs across Europe, Vol. 1 is the indie-rock edition of the Midwest dance band. “
Brothers Alex and Austin Ward, from both Hembree and Famous FM, teamed up with CJ Calhoun of Cowboy Indian Bear and Bonzo Madrid to create this collection of nine songs of “rock music with a dark, rhythmic melody. “It is a combination of fashionable and old-fashioned influences, giving the impression that each and every dance piece of the last 4 decades has been looted to localize rhythms and ideas, but in the most productive way imaginable. it goes from Faint to Blondie to Justice, while an Italo disc cut tries to play automatically in some other tab. You can spend hours looking to break the influences, but let the music move you.
Limited edition compact discs can be purchased, as well as virtual edition.
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If you wish, you can also check the price of single sentence singles from last year and five years and more from Local Cinema to links to all kinds of other albums that deserve your time, interest and monetary compensation.
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