After canceling the 2020 season due to the pandemic, SIFF Cinema Italian Style returned to Seattle for a week in early November, showing thirteen films to celebrate the festival’s thirteenth season.
“Seattle loves this festival,” said Beth Barrett, SIFF’s artistic director. “And no wonder: those films are gripping, heartbreaking, funny, inspiring and challenging. These are thirteen glorious tactics to celebrate the thirteenth year of the festival.
This year, all the films were screened at SIFF Cinema Egyptian on Capitol Hill. In addition, 8 films can only be seen on the SIFF channel, his online streaming portal. Because abroad was not sure yet, the veteran programmer of SIFF Angelo Acerbi asked pre-recorded questions and answers. sessions with 3 of the administrators – Leonardo di Costanzo (The Inner Cage), Stefano Sardo (With or without you) and Alessandro Gassmann (The Great Silence) – which will be broadcast after the screening of each of the films.
“One of the most productive things that came out of the pandemic is more virtual question-and-answer sessions,” Barrett said. “We can listen to more administrators who may not be able to in a different way and attend those assessments in person. -the knowledge and perspectives of the scenes offer much more to the cinematographic experience.
As always, comedy has played a vital role this year, perhaps as an antidote to the darkness of the pandemic. One of the most productive comedies screened was The Predators (I Predatori) through director Pietro Castellitto, which won the 2021 Donatello Award for Best. New director. The film looks at what happens when two families from very different backgrounds meet, or say, collide!
The comedies Three Perfect Daughters (É consistente con il tuo Bene), directed through Rolando Ravello; Comme un chat sur l’autoroute 2 (Come un Gatto in Tangenziale – Ritorno a Coccia di Morto), directed through Riccardo Milani; and The Great Silence (Il Silenzio Grande), directed through Alessandro Gassmann.
While there’s a bit of everything on the bill this year, from dramas to documentaries to romantic comedies, the festival featured several inspirational films when viewed through the prism of the pandemic, including two documentaries and a crime drama starring award-winning actor Toni. Servillo and a stellar cast.
To make the documentary Futura, three administrators (Alice Rohrwacher, Pietro Marcello and Francesco Munzi) traveled throughout Italy for about a year, interviewing other young people between the ages of 15 and 20 about their dreams, hopes and fears for the future. started in the winter of 2020, coincided with the onset of the pandemic and its next waves. Seeing how those young people responded to the challenge and being aware of their comments and observations is disarming and stimulating, as they speak candidly about their families. , politics, social media, gender identity, racism, etc.
The documentary of the moment, Ezio Bosso: The Things that Remain through director Giorgio Verdelli, is a moving tribute to this musician, composer and director. interviews from today with other musicians, friends and family.
Born in Turin in 1971, Bosso died in May 2020 of cancer. Despite the progressive nature of his illness, too painful and dazzling as the film progresses, the talented musician continued to play, compose, enjoy his friends and live his life as fully as possible. ‘at the end. The overwhelming joy on Bosso’s face when he gave the impression of living up to the task at the San Remo Music Festival in 2016 is astounding to behold.
At the end of the film, Bosso makes a lasting gift to the audience, an unreleased song called The Things That Remain. He created, as Bosso says in the film, because “everyone will tell their own story and I can only finish mine again. “
The new drama The Inner Cage (Ariaferma) is another themed but just as powerful, with the wonderful actor Toni Servillo of La Grande Bellezza.
Directed through Leonardo di Costanzo, the film is positioned over a few days in a remote criminal who is being dismantled; only a dozen criminals remain, guarded by 15 prison officials waiting to be transferred somewhere else. two groups, enemies, to a brief truce and an attempt at coexistence.
The two main characters, the captain of the guard (played through Servillo) and the criminalers kingpin (Silvio Orlando) are the same age, but their life paths have diverged drastically. The film shows a developing understanding between the two men, largely in criminal cooking.
Italian-style cinema has been a popular addition to Seattle’s cultural landscape since its inception. The November calendar works well, not only to combat seasonal blues, but also to provide organizers for films that have been shown at the Venice and Rome festivals, or that have recently been released for an Oscar. Most of the films screened this year were released in 2021.
The festival stands out for its concentration on fresh cinema. “The films we offer are a new logo for American audiences or they haven’t been shown much,” Barrett said. all kinds of movies: comedy, mafia dramas, war dramas, thrillers, documentaries. There is everything for everyone.
Community involvement is a decisive factor, whether as a sponsor, a member of the Italian network or the general public. This year’s main sponsors are Luce Cinecittà, Seattle Perugia Sister City Association, Tutta Bella and the Italian Cultural Institute of San Francisco under the auspices of the Consulate General of Italy in San Francisco.
Dopo aver cancellos angelesto los angeles stagione 2020 a causa dellos angeles pandemic, il SIFF Cinema Italian Style è tornato a Seattle consistent with a settimana all’inizio di novembre, presenting thirteen movie consistent with celebrate the thirteenth stagione angels of the festival.
“Seattle loves this festival,” siff direttore artist Beth Barrett said. “E non c’è da meravigliarsi: questi movie sono appassionati, strazianti, divertenti, ispiratori e stimolanti. Sono thirteen modi meravigliosi consistent with celebrate il thirteen ° anno of the festival”.
Come semper, los angeles commedia has avuto great risalto quest’anno, forse come antidoto contro il buio dellos angeles pandemia. Una delle migliori commedie proiettate è status I Predatori of the regista Pietro Castellitto, who has come to the Donatello Prize 2021 as miglior regista esordiente. The movie has this thing happening when it is due to family of origins, to divers if uncontracted, or dovremmo will say if they find it!
Proiettate del estado de Sono anche le commedie É consistente con il tuo Bene (Tres chicas perfectas) diretto da Rolando Ravello; Eat a Gatto in Tangenziale 2 – Ritorno a Coccia di Morto (Like a cat on a road 2), diretto da Riccardo Milani; and Il Silenzio Grande (The Great Silence) through Alessandro Gassmann.
Il secondo documentario, Ezio Bosso: Le Cose Che Restano, del regista Giorgio Verdelli, è un commovente omaggio a questo musicista, compositore e direttore d’orchestra. Il documentario offre uno sguardo ravvicinato sull’ultimo decennio della vita di Bosso, utilizzando video registrati in precedenza insieme a interviste attuali con colleghi musicisti, amici e familiari.
Born to Torino nel 1971, Bosso è morto nel maggio 2020 consistent with a canker. Nonostante los angeles natura progressiva dellos angeles sua malos angelesttia, fin troppo dolorosamente evidente guy guyo che il movie procede, il talentuoso musicista ha continuato ad esibirsi, comporre, godersi gli amici e vivere los angeles vita il più pienamente possibile fino allos angeles fine. La gioia travolgente sul volto di Bosso quando è apparso sul palco del Festival di Sanremo nel 2016 è incredibile da vedere. Allos angeles fine del movie, Bosso fa un regalo duraturo al pubblico, una canzone inedita intitolos angelesta Le cose che restano. È stata creata, come cube Bosso nel movie, consistent with “ognuno racconterà los angeles sua storia e io posso solo suggerire los angeles mia”.
Il festival si distingue consistente con los angeles sua attenzione al cinema contemporaneo. “Je moviee che proponiamo sono di solito nuovi di zecca consistente con il pubblico nordamericano o non sono stati mostrati molto”, ha detto Barrett. «Danno una panoramique di ciò che sta accadendo cinematograficamente en Italia y abbracciano tutti i tipi di movie: commedia, mafia, guerra, thriller, documentari. C’è qualcosa consistent with tutti”.
La partecipazione della comunità è un fattore déterminante, sia come sponsor, sia come componenti della comunità italiana, sia come pubblico in generale. Gli sponsor di quest’anno sono stati Luce Cinecittà, Seattle Perugia Sister City Association, Tutta Bella, e l’Istituto Italiano di Cultura di San Francisco sotto gli auspici del Consolato Generale Italiano di San Francisco.