The Flash has been on a long, long adventure to get to our screens, but the time-saving DC speedster will finally make it to a nearby movie theater. You might be wondering what format it’s best to watch it in. the movie.
What’s remarkable about The Flash is that its local aspect ratio is 1. 90:1, which is found in the videos that are part of the “Filmed For IMAX” program.
Typically, this means that they were shot with IMAX-certified cameras and will also offer an additional frame height to the “scope” or a popular widescreen, which has a facet ratio of 2. 39:1 (sometimes referred to as rounded to 2. 40:1). ). .
Rather unusually, though, the Flash is at 1. 90:1 in all cinemas, which means that on 1. 85:1 widescreen or “flat” screens it will have black bars on the sides, although you may not notice if the contrast in the room is low. The ratio is on par.
It just so happens that IMAX virtual screens have an aspect ratio of 1. 90:1, so they will fill them perfectly; the thing is, there’s no more graphical information in IMAX compared to other theaters. In the few full-featured IMAX 1. 43:1s, there will be black bars at the top and bottom, but you might not notice unless you’re looking for it.
What might be confusing is that the film was shot with an Arri Alexa LF IMAX rated camera, but the director, Andres Muschietti, obviously sought to make the aspect ratio consistent across all screens. So, since there’s no other symbol exclusive to the IMAX screen, The Flash can’t be a part of your “Filmed In IMAX” program but will have to settle for the “Experience It in IMAX” marketing slogan.
IMAX is arguably still the main edition of the film, but with a Dolby Atmos combination available, the film’s rich color palette will also appear in a Dolby theater, which will offer the most blacks and the widest color gamut.
Its next most productive bet will be a premium generic giant format screen (PLF), such as SuperScreen (Cineworld in the UK) or Regal RPX and Cineplex UltraAVX in the US. U. S. The PLFs will offer a very giant screen, combined with 4K and Dolby projection. With the film’s photographs and visual effects ready and finished in 4K, it will be worth playing.
As a major blockbuster, you’ll also be able to place the film in specific formats like 4DX and ScreenX. The former provides a theme park-like experience, with movable seats, combat scenes enhanced with backstabbing, and air and water hurled at you. the right moments. It can be a lot of fun.
ScreenX is then the only format that provides more information about the symbols, with a 270° panoramic view of the action. Although it may seem unbelievable, know that it will only be for very fast scenes and beyond that the effect seems unsatisfactory and distracting.
Finally, there’s the annoying option: a popular 2D projection with the popular 5. 1 surround sound. This will be great, because without a 3D option, you possibly won’t have to worry about the screen being too dark, but if you’re doing something as over-the-top as The Flash, then you can do that too. Take advantage of it and opt for a higher quality experience.
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