New year, new you, new fashion. While most people love to set a new year’s resolution, us fashion folk, forward-looking as we are, tend to opt for predictions instead. Who’s getting which job, which celebrity will wear what, and what, exactly, will people want to buy in order to embody that evolved version of themselves?
The masculine clothing collections in the autumn of 2025 begin with Pitti Uomo in Florence, highlighting a marathon of the fashion week that continues in Milan and Paris, with the collections and spring sewing exhibitions in Copenhagenarray Berlin and New York after the other. To mark the occasion, we contact some of our friends and participants to listen to what they think, or expect, the season of men will bring. Some things in which everyone agrees: there is an appetite renewed by elegance, which we hope to seem at the beginning of the Haider Ackermann track in Tom Ford, Peter Copping in Lanvin and Sarah Burton in Givenchy. (Although it does not lack the only skillful to predict the return of shoes to the domination of the market). Auralee de Ryota Iwai, who will open the calendar of men in Paris on January 21, is the logo to see. And, with respect to hopes and dreams, Matthieu Blazzz deserves even though everything takes into account giving Chanel garments for men. Read for more than 8 male experts through editorial, taste and retail sale.
Behind the scene of Giorgio Armani, spring 2025, men’s clothes.
I always remember a great quote that Christian Lacroix attributed to Jean-Jacques Picart about the relationship between fashion design and the moment. “Picart had a very good motto. He said fashion is like a banana. When it is green it is not good. And when it is black it is not good. But too early is even worse than too late. The skill is to be there at the right time.”
Mr. Fish in the 1960s was a menswear yellow banana. So too was Giorgio Armani in the 1980s, Hedi Slimane in the 2000s, and Virgil Abloh in the 2010s. What all these designers did in their different ways was to shift the aesthetic of menswear to such a popular extent that they inspired countless trend-chasing overripe bananas to dupe them. So where is our yellow banana in 2025? I think there’s a massive opportunity for the right menswear designer to grab this mixed-up decade by the scruff of its neck, shake it into shape, and define a look that defines the flavor of now. The time is ripe!
We go to dark times and unfortunately, I think fashion will reflect this. I think that establishing fashion with paint garments will continue and there will be main diversifications in the daily application and excess elements. A more used use of technical production in outdoor clothing characteristics that are more resistant to bad weather will be followed, but at the same time, this elderly and worn effect will also apply. As much as fashion enthusiasts aspire to more glamor and haute couture on the track, I think that the most anchored and well -made garments are what consumers will rotate.
I think men’s fashion this year will fall into the excessive, for example, an opulent dressing consisting of a seam, with an accessory in textiles and cuts, but also, as my pro mater, GQ, invented on Instagram last week, “Goofball Swag. In an ironic dressing. Valentino with matching peas, while Jeremy was strong in a piaus parrot pistachio dress with a matching bucket hat and custom Jacques Marie Mage specs.
With recent nominations for industry such as Haider Ackermann in Tom Ford, Alessandro Michele in Valentino and Matthieu Blazy in Chanel, we see an exciting replacement in the landscape. You can see Michele’s influence on the red carpet. I will also ask the question, will Shlazerai do it for the garments for men in Chanel?
Timothee Chalamet takes a look at Tom Ford by Haider Ackermann in the Golden Globes 2025.
With Haider Ackermann taking over the reins at Tom Ford, I predict a sense of heightened glamour will take over the runways.
At that time, the fashion of the 1990 The super stylized and rebel “the man” of Jean Paul Gaultier, who raided the way for a new generation of elegant male eccentric, and for the magnificent global of handicraft embroidery and lush colors of ’90 van notten, when attitudes and the Men’s trust were in their greatest dynamic.
I think this trend has started because the celebrity men’s flavor has become bolder and more experimental, but now we’ll see it really take off. Lately, men’s glamour was expressed through subtly sumptuous yet comfortable and practical clothing, which is wonderful, but now it’s time to move on to the next level. And it’s really wonderful that Haider is back!
As the tides shift from quiet luxury towards a focus on personal style, I predict a renewed emphasis on accessorizing. Think hats—not beanies or caps, but more unconventional shapes/materials— and scarves (silk? skinny and long? adorned with tassels?), plus cummerbunds, gloves in vibrant colors or with intricate detailing, and alternative neckties (gilded feathers?), brooches, pins, and the like.
In the last seasons, the accessories have been an image reflected later, however, I hope to see the attractive plugs and a genuine design objective placed those totems that attend to constitute themselves.
Behind the scenes at Moschino, spring 2025, menswear.
There is a lot of novelty in male fashion, and I hope we see something unexpected. Tom Ford by Haider Ackermann, Givenchy through Sarah Burton, Lanvin through Peter Copping, Céline through Michael Rider, Bottega Veneta through Louise Trotter and Chanel through Matthieu Blazyarray . . . to see a little of Sex, skin and glamor resurgence! Creators want to play with proportion, texture and superposition. We want anything that shakes the system. Certain brands to monitor are Auraliee, Commission, Margaret Howell, our inheritance and Magliano.
In men’s fashion, the emphasis placed on discovery and sophisticated elegance in garments, emphasizing top-notch fabrics and experimental silhouettes that play with proportion. The popularity of more dressed knitwear and hair mohair in knitted polo shirts, as well as a renewed interest in long-term fabric coats such as cashmere and ribbed velvet, communicate about what defines a fashion statement piece. This is also reflected in the types of marks that men are now climbing. Auralee, Lemaire, and our heritage are labels that don’t necessarily traffic into the logo box, but they all have perfected a set of design codes that result in recognizable icons for a confident subset of fashionable menswear enthusiasts. These are garments meant to be worn and bring joy to the wearer.
Nike will regain its magic and return to footwear dominance. Its share price will rebound to all-time highs. Do I have to disclose that I have Nike stock in my retirement portfolio, or no?
The 2025 male autumn clothing collections begin with Pitti Uomo on January 14 and are wrapped in Paris on January 26.
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